A Fire in the Basement Essay Sample - Bla Bla Writing

Second, talk about how to get out of the house if you’re upstairs, downstairs, or in the basement.

A Fire in the Basement Essay - 914 Words - StudyMode

After only three and a half weeks of rehearsal (again, in an effort to keep it from looking too polished), opened off Broadway at the Eden Theatre on Valentine’s Day 1972. The reviews were negative to mixed. One hapless television reviewer said, "The worst thing I’ve ever seen opened tonight at the Eden Theatre." It ran 128 performances anyway. And then the show moved uptown in June 1972 to the Broadhurst Theatre. In December 1979, broke Broadway’s long-run record. It made several moves during its Broadway run and finally closed April 13, 1980, after a total run of 3,388 performances. It was nominated for seven Tony Awards but won none. The original production paid back its investors four thousand percent. The show also ran for over two years in Mexico under the title becoming the longest-running musical there. The watered-down 1978 film version starring John Travolta, Olivia Newton-John, and Stockard Channing became one of the most successful movie musicals of all time.

This led to the damage of the four concrete floors of the basement and supporting columns of the tower.

My House Was Destroyed by Fire Essay -- Personal …

The culprit of our distraction was undoubtedly the pot roast that waited upstairs for us, taunting our empty stomachs with its heavy smell which floated over the moldy air of the basement like oil on water.

Everyone is exposed to EMFs; they come in forms such as from power lines, basements, cell phones, or even x-rays and other medical equipment....

But this song also works on a second level, as a cultural commentary on the power of drive-in movies in teen culture in the 50s. Cars had been changing sex since the 1920s, but by the 50s, more teenagers had access to cars than ever before, giving them the privacy they craved on a regular basis. Drive-in movies had been created as family entertainment, and between 1943 and 1953, more than 2,900 drive-in theatres opened in America, the total reaching nearly 5,000 by 1958. And once television stole the family audience, drive-in owners targeted their marketing exclusively at teens, while small, low-budget studios started cranking out material specifically for this new niche market, creating "teen exploitation" films that drastically changed and radicalized teenagers’ perception of themselves and each other. Drive-ins became a place to cruise for girls, hang with the "wrong crowd," get drunk and get laid (awkwardly, in the back seat). These films opened teenaged eyes to sex, violence, and other various vices like never before, inadvertently creating a new, more sophisticated, more cynical teen market. The fake movie dialogue in the scene leading up to "Alone at the Drive-In Movie" lampoons the two most prevalent genres of drive-in films: horror movies (a comic mix of and those paranoid 1950s "science run amok" flicks, like 1954’s ) and drag racing movies. Strangely enough, television had also come close to killing radio, in ratings and advertising revenue, until radio did what the drive-ins did by targeting teenagers.

The building has a single-storey basement that is to be used for car parking, with 5 upper storeys comprising of a café and open plan offices.


A fire in the basement bob herbert essay - ITL g

This is a brief background from the report to the Director of the National Institute of Occupational Safety and Health
(NIOSH) on January 20, 1998 from the Division of Safety Research, NIOSH:
Two Fire Fighters Die of Smoke and Soot Inhalation in Residential Fire – Pennsylvania
On October 27, 1997, two male fire fighters died of smoke and soot inhalation while fighting a residential fire. An
Engine Company comprised of four fighters was responding to a 911 call of a downed power line in a residential
neighborhood when one of the fire fighters noticed smoke emitting from the basement area of a nearby residence.
Without notifying fire dispatch of the change in conditions (smoke coming from the residence), three fire fighters
entered the residence to assist the residents out, and to survey the conditions and location of the fire. The fire
fighters then exited the residence to don their self-contained breathing apparatus. Two of the fire fighters
reentered the residence with a charged 3/4-inch booster line and proceeded to the basement (location of the fire)
to attack the fire. This was the last time either fire fighter was seen alive. NIOSH investigators concluded that, to prevent similar occurrences, fire departments should: (1) ensure that fire fighters advise dispatch of any change in
conditions that would warrant a change in the status of unit(s) responding to a specific condition (2) ensure that fire fighters wear and use PASS devices when involved in firefighting, rescue, and other hazardous duties.

"A House On Fire" Essays and Research Papers

A work of Gothic Literature is one that contains at least some of the following qualities: a serious tone; ruins, a castle, or a dark, melancholy setting; scenes involving dungeons, underground passages, crypts, basements or attics; shadows, a beam of moonlight in the blackness, a flickering candle, or the only source of light failing; extreme landscapes, like rugged mountains, thick forests, or icy wastes; omens and ancestral curses; magic and/or the supe...

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Exactly like the teen market they were targeting, teen exploitation films were full of sex and sin and booze and cars, but many of them also had a sanctimonious "moral" laid out explicitly, at the beginning or end of the film, often by a nameless authority figure behind a desk or podium, sometimes by a "survivor" of the "tragedy." These fake morals gave the raunchy stories the patina of respectability to placate parents and would-be censors. But for the kids, these movies mirrored the real world, in which teenagers were discovering they had a certain kind of power, a kind of power that just might be able to challenge the power of their parents. And the teen rebel was born. In 1954, just a year before the kids would start high school, Elvis Presley burst upon the American scene with his first hit, forever changing notions of gender and sexuality, rebelling against the "strong, silent type" model of previous generations of men like John Wayne and Gary Cooper, in favor of a remarkably sexual, nakedly emotional new model of maleness embodied by the likes of Marlon Brando and James Dean. John Waters documented this cultural shift in his film , set just a few years before