One of the most successful things about “The Figure a Poem Makes ..
It should be of the pleasure of a poem itself to tell how it can. The figure a poem makes. It begins in delight and ends in wisdom. The figure is the same as for love. No one can really hold that the ecstasy should be static and stand still in one place. It begins in delight, it inclines to the impulse, it assumes direction with the first line laid down, it runs a course of lucky events, and ends in a clarification of life-not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion.
Robert frost essay the figure a poem makes - Abagnale …
Day by day I think of you, How can all of this be true? I can't believe you're really gone, I still can't accept it, Even after so long. St the thought of you makes. Decision Making And Favorite Poem Essay
In an interview in 1916 for the Philadelphia Public Ledger, Robert Frost is quoted as saying, "Never larrup an emotion. Set yourself against the moon. Resist the moon. If the moon's going to do anything to you, it's up to the moon." The composition of a poem "must be a revelation," Frost writes in "The Figure a Poem Makes," "or a series of revelations, as much for the poet as for the reader." In the 1916 interview Frost ends by becoming even more provocative. "The curse of our poetry," he says, "is that we lay it on things. Pocketsful of poetic adjectives like pocketsful of peanuts carried into a park for the gray squirrels! You can take it as gospel, that's not what we want. But people say to me: 'The facts aren't enough. You've got to do something to them, haven't you? They can't be poetical unless a poet handles them.' To that I have a very simple answer. It's this: 'Anything you do to the facts falsifies them, but anything the facts do to you—yes, even against your will; yes, resist them with all your strength—transforms them into poetry.'"