Nietzsche, Postmodernism, and Resentment: A Genealogical Hypothesis
Juxtaposition is seen between the characteristics of early 20th century modern architecture and the artistic endeavours of postmodernism that followed.
Lewis’ Response to Postmodernism
Chapter 4 Postmodernism
Please write a summary on what this chapter was about, then you will write the pros and cons( the favorable and the unfavorable factors or reasons; advantages and disadvantages.)about it.
Postmodern sensibility does not lament the loss of narrativecoherence any more than the loss of being. However, the dissolutionof narrative leaves the field of legitimation to a new unifyingcriterion: the performativity of the knowledge-producing system whoseform of capital is information. Performative legitimation meansmaximizing the flow of information and minimizing static(non-functional moves) in the system, so whatever cannot becommunicated as information must be eliminated. The performativitycriterion threatens anything not meeting its requirements, such asspeculative narratives, with de-legitimation andexclusion. Nevertheless, capital also demands the continualre-invention of the “new” in the form of new languagegames and new denotative statements, and so, paradoxically, acertain paralogy is required by the system itself. In thisregard, the modern paradigm of progress as new moves underestablished rules gives way to the postmodern paradigm of inventingnew rules and changing the game.
Recently, his poems are considered as postmodern.
A few of the key features used during Arcadia which demonstrate the postmodern theme include: characters overlapping at the end, shifts in time from past to present, parallel characters during both eras, similar sets of props used during both eras, and the textual references.
He was a key figure in the development of postmodernist philosophy.
Habermas's critique of postmodernism on the basis of performativecontradiction and the paradox of self-reference sets the tone and theterms for much of the critical debate now under way. Whilepostmodernists have rejected these criticisms, or responded to themwith rhetorical counter-strategies. Lyotard, for example, rejectsthe notion that intersubjective communication implies a set of rulesalready agreed upon, and that universal consensus is the ultimategoal of discourse (see Lyotard 1984 , 65-66). Thatpostmodernists openly respond to Habermas is due to the fact that hetakes postmodernism seriously and does not, like other critics,reject it as mere nonsense. Indeed, that he is able to readpostmodernist texts closely and discursively testifies to theirintelligibility. He also agrees with the postmodernists that thefocus of debate should be upon modernity as it is realized in socialpractices and institutions, rather than upon theories of cognition orformal linguistics as autonomous domains. In this respect, Habermas'sconcern with inter-subjective communication helps clarify the basisupon which the modernist-postmodernist debates continue to playout.
Additionally, these films are known as “Postmodernist films”.
Under postmodernism, Shakespeare undergoes theorizing, deconstruction, displacement or death of the author, textual criticism, and cultural and political relativism but fails to produce solid answers.
Written By: Angela Gonzalez Topic 1: Postmodernist vs.
The novel Extremely Loud and Incredibly Close by Jonathan Safran Foer encompasses these postmodern characteristics combining together show how the truth cannot always be attained....
Free postmodernism Essays and Papers - Free Essays, …
Hyperreality is closely related to the concept of the simulacrum:a copy or image without reference to an original. In postmodernism,hyperreality is the result of the technological mediation ofexperience, where what passes for reality is a network of images andsigns without an external referent, such that what is represented isrepresentation itself. In Symbolic Exchange and Death (1976),Jean Baudrillard uses Lacan's concepts of the symbolic, the imaginary,and the real to develop this concept while attacking orthodoxies ofthe political Left, beginning with the assumed reality of power,production, desire, society, and political legitimacy. Baudrillardargues that all of these realities have become simulations, thatis, signs without any referent, because the real and theimaginary have been absorbed into the symbolic.