Pride and Prejudice - Wikipedia

Ah well, nobody is perfect—except Jane Austen—or J.F. Cooper—or Mark Twain—or Thomas Hardy.

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In this second page, we turn to the literature of Jane Austen's time. The emphasis is on those things that Jane Austen might have read - on possible Jane-Austen influences. We will discover that Jane Austen's time seems to have been a golden age for women writers. We also attempt to understand how the male voices of our Lady's time thought about women. - What were their attitudes?

Pride and Prejudice is a romance novel by Jane Austen, first published in 1813

Pride and Prejudice First Impressions

But, in the end, we must notice the way in which each author, a male voice of Jane Austen's time, treated his heroine as a woman. After all, that is the point of this exercise. Both Cora Munro and Rebecca of York must satisfy any taste of our time. Both are courageous, innovative, and animated in the face of extreme danger; both are well spoken in trying times. Each is put on trial for her life in front of a hostile audience and her eloquence and logic shames and sways, or nearly sways, evil intent ("an air of mingled simplicity and dignity, which excited universal surprise and admiration.") These heroines are magnificent women. Both are equally compelling and forthright in private conversations with her abductor-villain. In the case of Cora Munro, her adversary is the evil, alcoholic, traitorous, poison-tongued, lustful, murderous Huron captain Subtle Fox (Magua!) Even in the last seconds of her life, when Magua commands her to choose between his wigwam or his knife, Cora tells him, in effect, to go to hell. Scott and Cooper, those male voices, were liberal, progressive men more than one hundred years ahead of their time.

First Impressions Summary: The original title for Pride and Prejudice by Jane Austen was First..

Perhaps there is no universally accepted definition of what we mean by "Victorian". To me it was a period of rigid rules, frozen class structures, and calcified sphincters. I also think of the malady as a kind of London flu that spread throughout the English-speaking world. (The rest of us could not expect to import only the good stuff.) Victorian attitudes seem a natural consequence of the industrial revolution combined with the establishment of the British Empire; these were the firm attitudes that disciplined and trained that large middle class that was so necessary for the control and functioning of the two vast domains. The "revolution" the expansion were well under way in Jane Austen's times; indeed, Jane's brothers were participating in both of these historical processes. However, the bad stuff had not yet begun.

Pride and Prejudice Volume I, Chapters 1-6 Summary …

Pride and prejudice first impressions essay

There is a way, of course, in which I can be right about what I think I see contradicting brother Henry Austen - it may be that both Henry Fielding and Jane Austen were inspired by the same literary tradition. That might be the explanation of the reason that I think I see the same writing skills (logic, ironic humor, efficiency, and heart) in both writers.

First Impressions in Pride and Prejudice Essay - 887 …

What those commentators might be confusing with "morality" is ! Indeed, I agree, it is there that Henry Fielding separates himself from the others I mentioned (but not from me); it is there that the similarity between Jane Austen and Richardson is a justified claim. Also, in that regard, Henry Fielding is pessimistic, harsh, more skeptical, more unflinching, more masculine - I don't know if that is better or worse than the views of Austen and Richardson - I don't know if that is better or worse, it just is a fact.

Essays pride and prejudice first impressions

Notice that the words "moral" and "morality" are used by Henry Austen, C.S. Lewis, and by Samuel Johnson in . Mark Twain is alleged to have said, "the difference between using the right word or not, is the same as lightning striking or not." I believe that, and I cannot see any bright flashes in the use of "morality" by those men. To me, in any context, "morality" refers to ideas of right and wrong. Therefore, I can freely assert that Henry Fielding's morality is to Jane Austen's, to Samuel Richardson's, to Samuel Johnson's, or to mine. I defy anyone to demonstrate otherwise. Also, this particular brand of morality is the very superior sort - especially mine.

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Fielding did something interesting at that point - he also turned Sophia out on the road to escape a wedding arranged and insisted upon by her father. So, there were pilgrims to this story. As it turns out, Maria's father, Squire Western, got it in his head that his daughter must marry the novel's villain. When Maria refused, the father explained that he will beat her until she did unless he locked her up in her room without food or water instead. Another option he held out to her was to strip her naked and turn her out of doors. Maria punctuated her pleading with tears and protestations of love and obedience to her father. She continually pleaded that she would not disobey, but wouldn't he please reconsider? Well, all that certainly reinforces what we are all told of the treatment of woman and of their compliance in Jane Austen's time.