Taxi driver visual analysis essays - Silver Moon Gallery
Likewise, children whose parents had three or moreviolations were 38% more likely to have had a violationcompared with children whose parents had none.
A 1970 study found that sons offathers with one or more traffic convictions (in a six-yearperiod) were 58% more likely to have one or more trafficconvictions than sons of fathers with no trafficconvictions.
Earlier we showed that studies comparing drivers with manycrashes to drivers with zero crashes systematicallyunderestimate real effects because randomness will lead tosome low risk drivers being included in the high riskcategory, and vice versa.
Taxi Driver book analyzes Essay - Paper Topics
Just as Taxi Driver arouses uncertain interpretations, the film itself opens in a haze. Sewer steam billows from below as, in the first shot, a taxicab emerges from out of the fog. This eerie title sequence gives way to Travis, who enters a Checkered Cab dispatch office looking for a job with a mist following behind him, as though he has materialized from nothingness. Most of what we learn about Travis comes forth during his subsequent job interview: he is 26-years-old, he served in the Vietnam War and was honorably discharged in 1973, and his education is sketchy at best. He stands at a distance from the dispatch interviewer who, as most characters do throughout, senses something is wrong. But Travis is willing to drive a cab in the worst neighborhoods and at any hour, so he gets the job. Looking down at the dispatcher, the scene is from Travis’ perspective, as is the majority of the film. As a result, we must watch Travis closely; he is an unreliable narrator lost deep in his own syndrome of paranoia.
Events since the film’s release have tagged it with a regrettable, yet undeniable stigma and degree of fascination: just as Arthur Bremer’s attempt to kill George Wallace inspired Schrader to conceive of Travis Bickle, Taxi Driver, in turn, inspired John Hinkley to make his own attempt against Ronald Regan in 1981. Hinkley blamed the film for his own psychosis, which included an obsession with Jodie Foster, whom he followed to Yale University and subsequently stalked until his assassination attempt—an act designed to impress Foster. His blame toward the film was enough a part of his defense’s argument that the jury in Hinkley’s case was asked to watch Taxi Driver, which Hinkley claimed to have seen 15 times and said drove him to madness. After the incident, Scorsese considered retiring as a director, but instead made The King of Comedy (1983), another picture in which De Niro plays a fanatical character obsessed with someone famous, but with decidedly less disturbing results.